This is a long overdue blog. I have been listening to this album almost daily since it flew into my orbit and I have been slowly formulating my plans to write a blog about it. Well no more waiting, here it is!
Fake Flowers Never Die is the sophomore album from Glasgow based duo Geography of the Moon. Formed in London, UK, in 2016, Geography Of The Moon is a collaboration between singer/pianist Virginia Bones and multi-instrumentalist /producer Andrea AKA Santa Pazienza. After touring for several years, they moved back to Glasgow where Andrea’s family is originally from. Largely influenced by bands from the 80s and the 90s, somewhere between psych rock, post punk, new wave and indie rock, they create their own brand of mashed up styles: Psychwave.
The album opens on the dark and brooding ‘Muse Prayer’. This is our first indication of how special this album is. Virginia’s lyrics flow like honey dripping from the flower while Andrea’s guitar sympathetically picks out a simple but powerful backing. The addition of strings makes this a strong opener and hooks the listener immediately.
Lifting the mood ‘1984’ picks the pace up with Virginia railing against suburban boredom against an urgent and insistent drumbeat. The claustrophobia and anxiety are palpable, “Every day your mind will find, all the ways to bring you down” jumps out at me among other lyrical gems.
Next up is my album highlight. The bands unique sound comes equally from Andrea’s blend of instrumentation and gloriously off kilter guitar against the sheer poetry of Virginias vocal delivery. ‘Deadbeat Poet’ displays both of these points at their absolute finest. I don’t know if it’s the simplicity of the song that appeals to me, it’s essentially two chords, or if its the reverb washed guitar against that programmed drumbeat. There’s a kinship to the band DEHD in this track. See what you think.
‘Ikaria’ is the band longing for the sun on their skin. Living in Scotland can have that effect on you. There is a nice trade off between the lustful, yearning of the verses and the on the nose, matter of fact delivery of the chorus. There’s a lot to identify with here.
‘Moonlight Tan’ entices us to “get together, there is a light on”. Andrea plays a blinder here building an ever more urgent backing for Virginia to weave her tapestry of words on. I love how the two guitar parts and drums play off each other on this track.
A theme continues to develop on ‘Fleeing Lights’. Illumination and avoidance of the darkness is picked up again in this song. The lyrics sound like they are about someone being gaslighted with a backing inspired by Joy Division.
‘3 Years 2 Days’ throws us a curveball with its 80’s synth groove. This is a stunning song and almost pipped ‘Deadbeat Poet’ for my album highlight. I love the space given to the vocals and the massive sound when the song really kicks in.
Andrea is channelling his inner Arthur Lee on ‘Insomnia’. The rhythm sounds like the intro to ‘My Little Red Book’ but warped into something else, something more. Virginia takes the opportunity to play about with her delivery. Much more playful and syncopated which really suits the song.
The album closer, ‘Wolves’ is a lament on our inner demons. The atmospheric guitars mimic a howling wolf at one point which for me is just brilliant. The minimalistic approach to this track just cements its impact and drives home the feeling of anxiety and longing for a way out.
Geography Of The Moon have crafted a cohesive collection of songs that scream out ‘this is who we are’. Everything is left in the grooves for you to bear witness to, no punches are pulled. This kind of lyrical honesty is the hallmark of a great lyricist and there is no doubt in my mind that Virginia Bones is an outstanding writer and poet. The musicianship on show is staggering, it’s hypnotic, jarring, thrilling and soothing all at the same time. That’s no mean feat. Andrea has been so thoughtful with his arrangements. All the songs have room to breathe and to be what they all need to be individually. That is the mark of a great musician.
Come the end of year I am positive we will be seeing this album riding high in a lot of end of year lists.